HEAD

“Head” is a mind-bending and surreal 1968 film that defies traditional narrative conventions. Bob Rafelson directs the film and features the iconic rock band The Monkees. It’s worth noting that Bob Rafelson and Jack Nicholson penned the screenplay. Yes, that Jack Nicholson.

The film takes the audience on a wild and unconventional ride through interconnected vignettes.
The film opens with a satirical commentary on the entertainment industry as The Monkees, playing exaggerated versions of themselves, decide to rebel against their manufactured image as a manufactured pop band. From this point on, “Head” plunges into a series of disjointed and often nonsensical scenes that blend reality, fantasy, humor, and social commentary.

As The Monkees embark on bizarre adventures, they find themselves in various settings, including a desert, a snowy mountain, a war zone, and even a surreal kaleidoscopic world. Each episode is filled with absurdist humor, unexpected visual gags, and moments of self-reflection.

“Head” also serves as a vehicle for social and political critique, tackling topics such as war, consumerism, media manipulation, and the nature of celebrity. The film subverts audience expectations through its unconventional structure and non-linear storytelling, challenging traditional cinematic conventions and exploring the blurred boundaries between reality and illusion.

The musical aspect of “Head” is also a significant element, with The Monkees performing various songs throughout the film. These musical interludes showcase the band’s talent and add vibrant energy to the already eclectic mix of scenes.
Ultimately, “Head” is a bold and experimental exploration of identity, fame, and the nature of reality.

With its unconventional narrative structure, biting satire, and psychedelic visuals, the film pushes the boundaries of traditional filmmaking, particularly for that time, and remains a cult favorite among fans of The Monkees and lovers of avant-garde cinema.

Available via The Criterion Collection