“Daisies” is a visually stunning Czechoslovakian film Directed by Věra Chytilová in 1966. The film explores the adventurous and mischievous personalities of two young women. It takes a daring and unconventional approach by breaking away from traditional storytelling styles and societal expectations.
The story follows Marie I (played by Jitka Cerhová) and Marie II (played by Ivana Karbanová), two carefree and mischievous young women living in Prague. Dissatisfied with the conformist and conservative world, they embark on a series of outrageous and subversive adventures, pushing the boundaries of acceptable behavior.
With their whimsical and carefree attitudes, the Maries engage in pranks, escapades, and acts of unconventional rebellion. They indulge in extravagant meals, seduce older men, and play with the emotions of those they encounter. Their actions are characterized by anarchy and a desire to disrupt established norms.
As their escapades become increasingly daring, the Maries traverse a surreal landscape of vibrant colors and avant-garde imagery. Chytilová employs innovative editing techniques and a fragmented narrative structure to enhance the film’s unconventional and non-linear storytelling.
“Daisies” serves as a vibrant and audacious critique of social and political systems, challenging traditional notions of femininity, consumerism, and societal expectations. The film presents a powerful and thought-provoking commentary on the role of women in society and their liberation struggle.
Through their mischievous acts and rebellious attitudes, the Maries confront and disrupt the established order, questioning the norms and conventions imposed upon them. Their actions are simultaneously celebratory and provocative, reflecting a desire to break free from the restraints of a conservative society.
“Daisies” is an artful and visually captivating exploration of youth, freedom, and female empowerment. The film constantly asks the audience to question the status quo. The film remains a significant and influential work in New Wave cinema.
The Other Cinema 