Tag: Dehumanization
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A PÁTY JEZDEC JE STRACH aka AND THE FIFTH HORSEMAN IS FEAR
“a pátý jezdec je Strach,” aka “And the Fifth Horseman Is Fear,” directed by Zbyněk Brynych, is a 1965 Czechoslovak psychological drama set during the Nazi occupation of Prague. It is a chilling, surreal, and Kafkaesque meditation on totalitarianism, internalized terror, and the dehumanization of individuals under a regime of fear. Rather than depicting overt…
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JOYRIDE
“Joyride” is a 1977 crime drama with elements of a road movie, directed by Joseph Ruben, known later for The Stepfather and Sleeping with the Enemy. The film stars Desi Arnaz Jr., Robert Carradine, and Melanie Griffith, marking one of Griffith’s first significant screen appearances. It captures the disillusionment of 1970s American youth through a…
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SALO, OR THE 120 DAYS OF SODOM (NSFW)
‘Salò, or the 120 Days of Sodom,’ is a 1975 controversial and highly provocative film directed by Pier Paolo Pasolini. Based loosely on the infamous novel “The 120 Days of Sodom” by the Marquis de Sade, the film is a brutal allegory about power, sadism, and the dehumanizing effects of totalitarianism. Set in Fascist Italy…
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THE NIGHT PORTER
“The Night Porter” (1974) is a controversial psychological drama directed by Liliana Cavani. Starring Dirk Bogarde and Charlotte Rampling, the film is set in post-World War II Vienna and explores the complex and disturbing relationship between a former Nazi officer and a Holocaust survivor. The film delves into themes of trauma, guilt, power dynamics, and…
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LA DOLCE VITA aka THE SWEET LIFE
“La Dolce Vita” (1960) is an iconic Italian film directed by Federico Fellini. It is considered one of Fellini’s masterpieces and one of the greatest films in world cinema. The film is a sprawling, episodic exploration of the decadence and disillusionment of post-war Rome, capturing a society in moral decay. Blending drama, satire, and surrealism,…
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DILLINGER E’ MORTO aka DILLINGER IS DEAD
“Dillinger is Dead” is a 1969 Italian-French film directed by Marco Ferreri. This avant-garde and highly symbolic film is a dark and surreal exploration of alienation, consumerism, and existentialism. The film’s title references the notorious American gangster John Dillinger but is a stark departure from any traditional crime drama. The film centers around Glauco, played…
The Other Cinema 